THE PRINCIPLES OF FORMING THE ARCHITECTURE OF ENGLISH AND UZBEK SATIRICAL PROSE
Abstract
To explain the etymology of the term "satirical mode" in world literature and its meaning used in modern literary studies, to reveal the concepts of hero and anti-hero in satirical works, to show the complex nature of the relationship between individuals and society, to determine the principles that form the architecture of English and Uzbek satirical prose, tasks such as researching important aspects of its poetics are gaining importance today. Therefore, the scholars of the field pay serious attention to highlighting the problems and tasks related to a type of artistic creation - satire and humor. Satirical works ruthlessly expose a certain era, social life, vices in society and between people through laughter, and show that they should be abandoned. In world literature, satire is recognized as a unique principle of artistic expression of reality, a type of comedy and a mode of art used in all types of literature - lyrical, epic and dramatic works which can be stated as the topicality of the article. The tasks of the research are to base the genesis and stages of formation of satire, to show its genetic connection with genres such as pamphlet, parody, feuilleton, epigram, parable, caricature, anecdote and its unique poetic features; It is to explain the essence of the term "satirical mode" in modern literary studies, to reveal the socio-life factors that create satire, the principles of expression in different genres, and its content in a historical-comparative aspect. Comparative-typological, biographical, and contextual analysis methods were used in the research process. The purpose of the article is to study the architecture of English and Uzbek satirical prose and to determine its principles.
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