THE POETICS OF THE GHAZALS RHYMES IN ALISHER NAVOI'S “GARAYIB US-SIGAR” DIVAN

Abstract

Rhyme is an important element of classical poetry. The study of this literary phenomenon, which has been studied for many centuries in Eastern poetics, on the example of the poems of a particular author, on the one hand, enables one to feel the charm of the selected author's poems more delicately and on the other hand, the existing theoretical views from the point of view of today's literary studies show the possibility and extent of implementation. After all, it is always relevant to study some life topics and profound philosophical observations expressed in the works of creative thinkers. The author has consistently studied all the rhymes used in the ghazals of the "Garayib us-sigar" collection and expressed his conclusions about their types and expressive possibilities; analysed the radifs directly related to the rhyme and paid attention to their possibilities in understanding the meaning of the ghazal. The types of rhyme in ghazals, such as abstract rhyme, murdaf rhyme (riddled rhyme), muqayyad rhyme (noted rhyme), muassas rhyme (structural rhyme) have been considered. In addition, about five hundred muraddaf ghazals named in connection with radif were studied and explained with appropriate examples; e'not (luzumi moloyalzam) rhyming ghazals, mamula or jali rhyming ghazals, zuqafiyatain (double rhyme) verses, internal and side rhyming ghazals (musjaj' ghazals), mahjub (hajibli) verses, radd ul — rhyming ghazals have been specially researched based on statistical analysis.