ON THE ARTISTIC INTERPRETATIONS OF THE PHILOSOPHICAL THEME IN THE GHAZALS OF ABDURAHMAN JAMI AND ALISHER NAVOI
Abstract
The article is devoted to the study of the artistic embodiment of philosophical views in the ghazals of Timurid poets Abdurakhman Jami and Alisher Navoi, the laudatory ghazals (hamd). The author analyzes the ghazals of the category of laudatory lyrics in the sofas of Jami and Navoi based on the ideas of the unity of being (vakhdat ul-vuzhud). The interpretation of religious-sufi views of poets on the Creator and creation (genesis), as well as the use of the formation of poetic figures, expressions and other elements in ghazals of this category is explained on a scientific basis. At the beginning, the relationship of the philosophical concepts of substance (essence) and attributes is revealed, which are later transformed into metaphors such as the sun and shadow; mirror; flower and nightingale; candle and moth; sea and drop (wave). The importance of symbols and concepts actively used in the artistic interpretation of these gazelles is emphasized. As a result, the author of the article was able to determine the artistic skill of both poets by analyzing these ghazals.
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Copyright (c) 2026 Mullakhujayeva Karomat (Author)
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