PARALLELISM IN MICROCHRONOTOPE OF HUMAN BEING AND CREATURES

Abstract

The article deals with the transformations in the spiritual world of a human being on the basis of the microchronotope expressed in the novels of Chingiz Aitmatov and Normurod Norkobilov; the influence of socio-historical conditions on the fate and character of the hero is studied on the basis of the macrochronotope; the tragedies of the technocratic world, the catastrophic consequences of the use of scientific discoveries against the will of the Creator are expressed on the basis of the megachronotope. Three types of chronotope are considered within the semantic-structural connection of poetic components: plot, composition, motive, image, detail and style. The image of the chronotope in direct communication with the spiritual world of a person is manifested on the basis of the relationship of mega-, macro- and microchronotopes, which reflects the relationship between the universe and man in the vastness of the psychology, society and the universe. The first represents the changes in space and time, the universe and the earth; the second represents the reallife events that take place between people; the third represents the conflicts between the human psychology and consciousness and thinking. In the parable novel, the parallelism of micro and macrochronotope ensures the convergence of past and present, internal and social chronotope. The subject of the research work are the novels "The Day Lasted More Than a Hundred Years", "Doomsday", "Falling Mountains", "Cassandra's Brand" by Chingiz Aitmatov and “In the Steppe Fields”, "Black Whirlwind" by Normurod Norkabilov. The subject of the research is the comparative typology of microchronotope poetics. The comparative-typological, psychological and system-structural analysis methods were used in the study.